![]() All footage is captured in real time, with a combination of patience, fortitude, and technology. Producers are also proud of the fact that nothing in their series is enhanced with CGI or other visual effects. They go after the fish, and when the fish scamper, they turn on each other and go cannibalistic,” says Doherty. And another still is the humboldt squid that hunts “900 meters off the coast of Chile. Another is a dolphin that “knows the secret, individual medicinal properties of corals,” says Brownlow. The “Blue Planet II” team is particularly proud of the characters they have been able to capture, of which the giant trevally is only one. This eel showed up and did this toxic dance,” she says. ![]() Doherty shares that they returned to the brine pool in “Blue Planet II” because the way they could film it now, with the additional research they had done and the new technology they were using, made it feel like they could tell a new story. Inherently that is educational, and to us, it’s about hopefully connecting people to life beneath the waves so we can come to care about it more and feel closer to it because that’s when we can make a positive influence.”Īnd that is not to say that the team shut down the idea of returning to an area simply because they may have seen it before. “We would like to think this is entertainment TV at the heart of the series with some characters you’ve never met before, but what you’ll love about it is it’s new you’re learning stuff it’s going to amaze you. “We set ourselves a high bar because we really wanted people who really know the ocean to learn things they didn’t know,” Honeyborne says. The “Blue Planet II” team heard the story “anecdotally” from a fisherman off an island in the Indian Ocean and decided, after talking with some other locals who also corroborated the story, that they had to document it. ![]() It was a phenomenon previously talked about but never before caught on camera. ![]() One of the experiences “Blue Planet II” provides is witnessing a giant trevally leap out of the ocean (“like a missile!” says Honeyborne), turn in mid-air and catch birds. “If you think that something is achievable, even if someone has never managed to film it before, then we’ll press the green light and go for it.” And then it’s a two-and-a-half year process trying to capture these theoretical stories on-camera, to varying degrees of success,” Brownlow says. “A year before we had our entire team out there talking to scientists and trying to break these groundbreaking stories. ![]()
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